The Illustrated Rubaiyat of Omar Khayyam - Special Edition (Color)

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It was Thackeray who first made them personally acquainted; and Fitzgerald remained always loyal to his first instincts of affection and admiration. Redhouse, but whom Fitzgerald can only have seen in the original.

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Amongst the Germans, Jean Paul, Goethe, Alexander von Humboldt and August Wilhelm von Schlegel attracted him greatly; but he seems to have read little German, and probably only quoted translations. His favorite motto was "Plain Living and High Thinking," and he expresses great reverence for all things manly, simple, and true. The laws and institutions of England were, in his eyes, of the highest value and sacredness; and whatever Irish sympathies he had would never have diverted his affections from the Union to Home Rule. Gladstone for having devoted his Neapolitan tour to an inspection of the prisons.

Fitzgerald's next printed work was a translation of Six Dramas of Calderon, published in , which was unfavorably received at the time, and consequently withdrawn by him from circulation. His name appeared on the title-page,—a concession to publicity which was so unusual with him that it must have been made under strong pressure from his friends. The book is in nervous blank verse, a mode of composition which he handled with great [xvii] ease and skill.

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There is no waste of power in diffuseness and no employment of unnecessary epithets. It gives the impression of a work of the Shakespearean age, and reveals a kindred felicity, strength, and directness of language. It deserves to rank with his best efforts in poetry, but its ill-success made him feel that the publication of his name was an unfavorable experiment, and he never again repeated it. His great modesty, however, would sufficiently account for his shyness.

He maintained that, in the absence of the perfect poet, who shall re-create in his own language the body and soul of his original, the best system is that of a paraphrase conserving the spirit of the author,—a sort of literary metempsychosis. The Persian was probably somewhat more Horatian and less melancholy, the Greek a little less florid and mystic, the Spaniard more lyrical and fluent, than their metaphrast [xviii] has made them; but the essential spirit has not escaped in transfusion. Only a man of singular gifts could have performed the achievement, and these works attest Mr.

Fitzgerald's right to rank amongst the finest poets of the century. About the same time as he printed his Calderon, another set of translations from the same dramatist was published by the late D. MacCarthy, a scholar whose acquaintance with Castilian literature was much deeper than Mr. Fitzgerald's, and who also possessed poetical abilities of no mean order, with a totally different sense of the translator's duty. The popularity of MacCarthy's versions has been considerable, and as an equivalent rendering of the original in sense and form his work is valuable.

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Spaniards familiar with the English language rate its merit highly; but there can be little question of the very great superiority of Mr. Fitzgerald's work as a contribution to English literature. It is indeed only from this point of view that we should regard all the literary labors of our author. They are English poetical work of fine quality, dashed with a pleasant outlandish flavor which heightens their charm; and it is as English poems, not as translations, that they have endeared themselves even more to the American English than to the mixed Britons of England.

It was an occasion of no small moment to Mr.

Edmund Dulac Color Illustrated Rubaiyat Omar Khayyam + Dust Jacket 1952

Quaritch in the latter part of the year It was printed as a small quarto pamphlet, bearing the publisher's [xix] name but not the author's; and although apparently a complete failure at first,—a failure which Mr. Fitzgerald regretted less on his own account than on that of his publisher, to whom he had generously made a present of the book,—received, nevertheless, a sufficient distribution by being quickly reduced from the price of five shillings and placed in the box of cheap books marked a penny each.

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Thus forced into circulation, the two hundred copies which had been printed were soon exhausted. The influence exercised by the first three, especially by Rossetti, upon a clique of young men who later grew to distinction, was sufficient to attract observation to the singular beauties of the poem anonymously translated from the Persian. In the refuge of his anonymity, Fitzgerald derived an innocent gratification from the curiosity that was aroused on all sides.

After the first edition had disappeared, inquiries for the little book became frequent, [xx] and in the year he gave the MS. The vogue of "old Omar" as he would affectionately call his work went on increasing, and American readers took it up with eagerness. Some curious instances of this have been related. A remarkable feature of the Omar-cult in the United States was the circumstance that single individuals bought numbers of copies for gratuitous distribution before [xxi] the book was reprinted in America.

Its editions have been relatively numerous, when we consider how restricted was the circle of readers who could understand the peculiar beauties of the work. A third edition appeared in , with some further alterations, and may be regarded as virtually the author's final revision, for it hardly differs at all from the text of the fourth edition, which appeared in Fitzgerald had from his early days been thrown into contact with the Crabbe family; the [xxii] Reverend George Crabbe the poet's grandson was an intimate friend of his, and it was on a visit to Morton Rectory that Fitzgerald died.

As we know that friendship has power to warp the judgment, we shall not probably be wrong in supposing that his enthusiastic admiration for Crabbe's poems was not the product of sound, impartial criticism. He attempted to reintroduce them to the world by publishing a little volume of "Readings from Crabbe," produced in the last year of his life, but without success.

Eliot Norton had a sight of them and urged him to complete his work. When this was done, he had them set in type, but only a very few proofs can have been struck off, as it seems that, at least in England, no more than one or two copies were sent out by the author. When his old boatman died, he abandoned his nautical exercises and gave up his yacht forever.

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  8. During the last few years of his life, he divided his time between Cambridge, Crabbe's house, and his own home at Little Grange, near Woodbridge, where he received occasional visits from friends and relatives. He was one of the most modest men who have enriched English literature with poetry of distinct and permanent value, and his best epitaph is found in Tennyson's "Tiresias and other Poems," published immediately after our author's quiet exit from life, in , in the seventy-fifth year of his age.

    The slender story of his life is curiously twined about that of two other very considerable Figures in their Time and Country: one of whom tells the Story of all Three. Towards me he ever turned an eye of favor and kindness, and as his pupil I felt for him extreme affection and devotion, so that I passed four years in his service. Both were endowed with sharpness of wit and the highest natural powers; and we three formed a close friendship together. Now, even if we all do not attain thereto, without doubt one of us will; what then shall be our mutual pledge and bond?

    The Vizier was generous and kept his word. Hasan demanded a place in the government, which the Sultan granted at the Vizier's request; but discontented with a gradual rise, he plunged into the maze of intrigue of an oriental court, and, failing in a base attempt to supplant his benefactor, he was disgraced and fell. After many mishaps and wanderings, Hasan became the head of the Persian sect of the Ismailians ,—a party of fanatics who had long murmured in obscurity, but rose to an evil eminence under the guidance of his strong and evil will.

    Under the Sultanate of Malik Shah, he came to Merv, and obtained great praise for his proficiency in science, and the Sultan showered favors upon him. Omar himself alludes to his name in the following whimsical lines:—.

    عمر خيام؛ نابغه پرسشگر - مستند

    Thus far—without fear of Trespass—from the Calcutta Review. The writer of it, on reading in India this story of Omar's Grave, was reminded, he says, of Cicero's account of finding Archimedes' Tomb at Syracuse, buried in grass and weeds. I think Thorwaldsen desired to have roses grow over him; a wish religiously fulfilled for him to the present day, I believe. However, to return to Omar. Omar was too honest of Heart as well of Head [xxxi] for this. Having failed however mistakenly of finding any Providence but Destiny, and any World but This, he set about making the most of it; preferring rather to soothe the Soul through the Senses into Acquiescence with Things as he saw them, than to perplex it with vain disquietude after what they might be.

    It has been seen, however, that his Worldly Ambition was not exorbitant; and he very likely takes a humorous or perverse pleasure in exalting the gratification of Sense above that of the Intellect, in which he must have taken great delight, although it failed to answer the Questions in which he, in common with all men, was most vitally interested. For whatever Reason, however, Omar, as before said, has never been popular in his own Country, and therefore has been but scantily transmitted abroad.

    The MSS. We know but one in England: No. One in the Asiatic Society's Library at Calcutta of which we have a copy contains and yet incomplete , though swelled to that by all kinds of Repetition and Corruption. So Von Hammer speaks of his Copy as containing about , while Dr. Sprenger catalogues the Lucknow MSS. It may be rendered thus:—. The Reviewer to whom I owe the Particulars of Omar's Life concludes his Review by comparing him with Lucretius, both as to natural Temper and Genius, and as acted upon by the Circumstances in which he lived.

    Both indeed were men of subtle, strong, and cultivated Intellect, fine Imagination, and Hearts passionate for Truth and Justice; who justly revolted from their Country's false Religion, and false, or foolish, Devotion to it; but who fell short of replacing what they subverted by such [xxxiii] better Hope as others, with no better Revelation to guide them, had yet made a Law to themselves. Lucretius indeed, with such material as Epicurus furnished, satisfied himself with the theory of a vast machine fortuitously constructed and acting by a Law that implied no Legislator; and so composing himself into a Stoical rather than Epicurean severity of Attitude, sat down to contemplate the mechanical Drama of the Universe which he was part Actor in; himself and all about him as in his own sublime description of the Roman Theatre discolored with the lurid reflex of the Curtain suspended between the Spectator and the Sun.

    Omar, more desperate, or more careless of any so complicated System as resulted in nothing but hopeless Necessity, flung his own Genius and Learning with a bitter or humorous jest into the general Ruin which their insufficient glimpses only served to reveal; and, pretending sensual pleasure, as the serious purpose of Life, only diverted himself with speculative problems of Deity, Destiny, Matter and Spirit, Good and Evil, and other such questions, easier to start than to run down, and the pursuit of which becomes a very weary sport at last! With regard to the present Translation.

    Somewhat as in the Greek Alcaic, where the penultimate line seems to lift and suspend [xxxiv] the Wave that falls over in the last. Those here selected are strung into something of an Eclogue, with perhaps a less than equal proportion of the "Drink and make-merry," which genuine or not recurs over-frequently in the Original. Either way, the Result is sad enough: saddest perhaps when most ostentatiously merry: more apt to move Sorrow than Anger toward the old Tent-maker, who, after vainly endeavoring to unshackle his Steps from Destiny, and to catch some authentic Glimpse of To-morrow, fell back upon To-day which has outlasted so many To-morrows!

    Nicolas, whose Edition has reminded me of several things, and instructed me in others, does not consider Omar to be the material Epicurean that I have literally taken him for, but a Mystic, shadowing the Deity under the figure of Wine, Wine-bearer, etc. I cannot see reason to alter my opinion, formed as it was more than a dozen years ago when Omar [xxxv] was first shown me by one to whom I am indebted for all I know of Oriental, and very much of other, literature.

    He admired Omar's genius so much that he would gladly have adopted any such interpretation of his meaning as Mons. Nicolas' if he could. That he could not, appears by his Paper in the Calcutta Review already so largely quoted; in which he argues from the Poems themselves, as well as from what records remain of the Poet's Life. And if more were needed to disprove Mons.